失忆的奥特曼
21 年前
搜影视
以三藩市为背景的《迷魂记》（1958）被誉为希治阁巅峰作。佳麦甸（《非请勿进》，39届）应邀为三藩市国际电影节创作电影，自然想起《迷魂记》。念念不忘金露华身上那团绿雾，他甚至认为《迷魂记》就是电影和三藩市的同义词，于是以别开生面方式来个致敬，从《上海小姐》（1947）到《加州大地震》（2015）等超过二百部有关三藩市，或于三藩市取景的影视作品里摘取片段，以《迷魂记》 为参照，再行拼贴，重新想像，构成一封献给三藩市的情书。。This Film seems to be some kinda sequel to the Hunted City. Comissario Ferro comes from Rome to Milan. The violence is at a all time high. Gangsters dress up with some bizarre Carnival-masks. They use this outfit to liquidate some opponents. Ferro is no friend of such behavior and so he uses his gun the traditional way and lightens their masses a little bit.
Even though the ending is a bit disappointing, the film contains a great fight in a plastic-factory with lots a white plastic bottles. Visually nice! I like the documentary-style of Massis Camera very much. It makes the film so involving and real. His Experience in the Western-Genre as Camera operator in films like "C'e Sartana vendi la pistola..." and "Dio Perdoni la mia Pistola" sure comes in handy. Joan Collins had no trouble with face-surgery at that time.。
