Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date.
The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer.
The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。李云扬的对手是博时集团董事长乔云风,乔云风可谓是呼风唤雨的铁腕级任务,可是常言道树大招风,身家几十亿的资产的乔云风早就成为黑社会组织洗劫财产的攻击目标,李云扬在复仇过程中万完没想到自己挫杀的对象原来是自己的亲生父亲,其实在整个庞大布局的黑网中李云扬只不过是马前卒,黑势力早就在乔云风公司内部高层派了卧底,他们通过偷梁换柱,栽赃嫁祸,瞒天过海等连环妙计使乔云风陷入重重危机,精明强干的乔云风虽然险象环生,但一一化解。“魔高一尺,道高一丈”,与此同时,警方已密切注意这股强劲的黑势力,并进行追踪调查,乔云风万万没有想到自己最信任,最亲密的女人却是自己身败名裂的底牌。。《血色恋情》主要讲述的是上个世纪三十年代的关东小镇,小女孩九红的父母被土匪黑心雕所杀成为孤儿,被好心的那班主收留。几年后漂亮泼辣的九红出落成闻名百里的“二人转”名角。一次偶然,鹏飞成为九红师弟,两人在朝夕相处中互生情愫。黑心雕是鹏飞生父,但作为一名爱国志士,鹏飞憎恨父亲的所作所为,与其划清了界限。当九红得知鹏飞是杀父仇人的儿子时,陷入了情与仇的深深挣扎之中……。